Tuesday, January 8, 2008

Chapter 8 Reaction

The opening story in this chapter was truly remarkable. Elizabeth "Pink" Cochrane wanted to be a journalist at a time where women could only do so under a pen name, which of course had to be a man's names. She got a job at Pittsburgh; however she took a risk and traveled to NY. She was able to get another job on a trial basis at the world's biggest newspaper. During a time when women were undermined and biased against, she became the first detective journalist. She took huge risks, went "undercover" and wrote amazing, truthful and groundbreaking articles. Not only did she receive a full job, but she will forever go down in not only women's history, but newspaper history. It was a great way to start the chapter, and a very inspiring story.
Not to mention, I enjoyed reading about Pulitzer. Most people have heard of the Pulitzer prize, and I knew that he owned a newspaper. However, I did not know that he was an immigrant, and that he took many steps in combining and creating his successful, eternally infamous paper.
I already knew some of the background of the first newspapers; I already knew about Benjamin Franklin and the Pennsylvania Gazette and about the penny press making newspapers available to all classes. However, I did learn about the different types of articles that can be written. Though I heard of terms like human-interest stories, I never heard of advocacy journalism, or literary journalism, or any of the other types.
The ending of the chapter was a bit depressing. With the war going on right now, sometimes it's heard that a reporter died every so often. As if that isn't sad enough, the statistics given in the book were very depressing. In less then a decade, almost 350 reporters died simply trying to do their jobs. Of that number, 264 were murdered. In 2001 alone, 118 journalists were jailed and 37 died.
It's interesting to notice how one-sided or biased newspapers can be. It's sad that newspapers, like many other things, continue to exist to earn money, rather than tell stories and facts. News papers "make sense of important events and watch over out center institutions".



Vocabulary :
---from Chapter Eight in Media & Culture: an introduction to mass communication (fifth edition) by Richard Campbell, Christopher R. Martin, and Bettina Fabos
1. partisan press: an early dominant style of American journalism distinguished by opinion newspapers, which generally argued one political point of view or pushed the plan of the particular party that subsidized the paper
2. penny papers: refers to newspapers that, because of technological innovations in printing, were able to drop their price to one cent beginning in the 1830s, thereby making papers affordable to working and emerging middle classes and enabling newspapers to become a genuine mass medium
3. human-interest stories: news accounts that focus on the trials and tribulations of the human condition, often featuring ordinary individuals facing extraordinary challenges
4. wire services: commercial organizations, such as the Associated Press, that share news stories and information by relaying them around the country and the world, originally via telegraph and now via satellite transmission
5. yellow journalism: a newspaper style or era that peaked in the 1890s, it emphasized high-interest stories, sensational crime news, large headlines, and serious reports that exposed corruption, particularly in business and government
6. objective journalism: a modern style of journalism that distinguishes factual reports from opinion columns; reporters strive to remain neutral toward the issue or event they cover, searching out competing points of view among the sources for a story
7. inverted-pyramid style: a style of journalism in which news reports begin with the most dramatic or news-worthy information - answering who, what, where, and when (and less frequently why or how) questions at the top of the story - and then tail off with less significant details
8. interpretive journalism: a type of journalism that involves analyzing and explaining key issues or events and placing them in a broader historical or social context
9. advocacy journalism: often associated with journalistic trend in the 1960s but actually part of a tradition that dates to the early days of the partisan press, this approach to journalism features the reporter actively promoting a particular cause of viewpoint
10. precision journalism: a type of journalism that attempts to push news reporting in the direction of science, maintaining that by applying rigorous social science methods, such as using poll surveys and questionnaires, journalism can better offer a valid portrait of social reality
11. literary journalism: news reports that adapt fictional storytelling techniques to nonfictional materials (sometimes called new journalism)
12. consensus-oriented journalism: found in small communities, newspapers that promote social and economic harmony by providing community calendars and meeting notices and carrying articles on local schools, social events, town government, property crimes, and zoning issues
13. conflict-oriented journalism: found in metropolitan areas, newspapers that define news primarily as events, issues, or experiences that deviate from social norms; journalists see their role as observers who monitor their city's institutions and problems
14. newshole: the space left over in a newspaper for news content after all the adds are placed
15. feature syndicates: commercial outlets or brokers that contract with newspapers to provide work from well-known political writers, editorial cartoonists, comic strip artists, and self-help columnists
16. joint operating agreement (JOA): in the newspaper industry, an economic arrangement, sanctioned by the government, that permits competing newspapers to operate separate editorial divisions while merging business and production operations
17: newspaper chains: large companies that own several papers throughout the country

Monday, January 7, 2008

Reaction to Chapter Seven

I found it surprising that early theatres were called nickelodeons. It makes me wonder if the current Nickelodeon channel derived its name for the same reason, the world being the Greek word for theatre, or if there is some other reason.

It's interested to read about Mary Pickford, and how she was basically one of the first celebrities. Her career evolved when her boss, Adolph Zukor realized that his movies would make more money if he had continuous actors in his movies; this would create familiar faces to the viewers, even moreso causing them to want to watch a movie. Pickford was in many movies, became known as "America's Sweetheart", and earned a high salary. People always wonder why these big celebrities and athletes earn so much money, when what they do seems that it isn't worth all that. It's interesting to see how it all started.

I did not know that Mel Gibson's The Passion of the Christ (2004) was actually an indie film. I did not know that it was rejected by Hollywood studios.

I also did not know that box office ticket sales accounted for only twenty percent of the film's revenue, while video and DVD sales make up fifty percent of that income. I would have though the opposite considering the high cost of going to see a movie in theatres is; I would think that a system that forces each person to pay a significant amount, compared to a system where many people can watch a movie over and over again for a one-time-price would earn more money.

Vocabulary :
---from Chapter Seven in Media & Culture: an introduction to mass communication (fifth edition) by Richard Campbell, Christopher R. Martin, and Bettina Fabos
1. celluloid: a transparent and pliable film that can hold a coating of chemicals sensitive to light
2. kinetograph: an early movie camera developed by Thomas Edison's assistant in the 1890s
3. kinetoscope: an early film projection system that served as a kind of peep show in which viewers looked through a hole and saw images moving on a tiny plate
4. vitascope: a large-screen movie projection system developed by Thomas Edison
5. narrative films: a movie that tells a story, with dramatic action and conflict emerging mainly from individual characters
6. nickelodeons: the first small make short movie theaters, which were often converted cigar stores, pawnshops, or restaurants redecorated to mimic vaudeville theaters
7. vertical integration: in media economics, the phenomenon of controlling a mass media industry at its three essential levels: production, distribution, and exhibition
8. oligopoly: in media economics, an organizational structure in which a few firms control most of an industry's production and distribution resources
9. studio system: an early film production system that constituted a sort of assembly-line process for movie making; major film studios controlled not only actors but also directors, editors, writers, and other employees, all of whom worked under exclusive contracts
10. block booking: an early tactic of movie studios to control exhibition involving pressuring theater operators to accept marginal films with no stars in other to get access to films with the most popular stars
11. movie palace: ornate, lavish single-screen movie theaters that emerged int eh 1910s in the US
12. multiplexes: contemporary movie theaters that exhibit many movies at the same time on multiple screens
13. Big Five/Little Three: from the late 1920s through the late 1940s, the major movie studios that were vertically integrated and that dominated the industry. The Big Five were Paramount, MGM, Warner Brothers, Twentieth Century Fox, and RKO. the Little Three were those studios that did not own theaters: Columbia, Universal, and United Artists
14. talkies: movies with sound, beginning in 1927
15. newsreels: weekly ten-minute magazine-style compilations of filmed news events from around the world organized in a sequence of short reports; prominent in movie theaters between the 1920s and the 1950s
16. blockbuster: the type of big-budget special effects films that typically have summer or holiday release dates, heavy promotion, and lucrative merchandising tie-ins
17: genre: a narrative category in which conventions regarding similar characters, scenes, structures, and themes recur in combination
18. documentary: a movie or TV news genre that documents reality be recording actual characters and settings
19. cinema verite: French term for truth film, a documentary style that records fragments of everyday life unobtrusively; it often features a rough, grainy look and shaky, handheld camera work
20. indies: independent music and film production houses that work outside industry oligopolies; they often produce less mainstream music and film
21: megaplexes: movie theater facilities with fourteen or more screens
22. Hollywood Ten: the nine screenwriters and one film director subpoenaed by the House Un-American Activities Committee (HUAC) who were sent to prison in the late 1940s for refusing to discuss their memberships or to identify communist sympathizers
23. Paramount decision: the 1948 Supreme Court decision that ended vertical integration int eh film industry by forcing the studios to divest themselves of their theaters
24. synergy: in media economics, the promotion and sale of a product (and all its versions) throughout the various subsidiaries of a media conglomerate
25: digital video: the production of format that is replacing celluloid film and revolutionizing filmmaking because the cameras are more portable and production costs are much less expensive
26: consensus narrative: cultural products that become popular and command wide attention, providing shared cultural experiences